برگ خوشنویسی به خط عماد الحسنی

کتابخانهٔ کنگرهٔ ملی آمریکا

Library of Congress

مشخصات اثر

تاریخ: ۱۵۵۰ میلادی - ۱۶۰۰ میلادی

مشخصات اثر در کتابخانهٔ کنگرهٔ ملی آمریکا

تابلوی خوشنویسی با خط نستعلیق مشکی با نقاشی روباه و منظره ای که توسط میرعماد (الحسنی) قزوینی کار می کرد که در ایران، افغانستان و هند کار می کرد. تعدادی از حروف و کلمات در این تابلوی خوشنویسی تکرار می شوند تا ترکیبی بازیگوش ایجاد شود که کل صفحه متن را پر می کند. این بازی خوشنویسی - که خود وسیله ای برای شبیه سازی است - مطالب شعر را بازتاب می دهد.در زیر صفحه متن و خارج از قاب های متن، یک کتیبه دقیقه ای که با جوهر سیاه نوشته شده است، به صورت افقی روی کاغذ بژ تزئین شده با لکه های طلایی ظاهر می شود. کتیبه خط را به «قبله الخطاطین» میرعماد قزوینی نسبت می دهد. (ترجمه ماشینی از فراداده‌های ناشر)

Label:Verses on hidden love

Description:Calligraphic panel written in black nasta'liq script with a painting depicting foxes and a landscape, created by Mir 'Imad (al-Hasani) al-Qazvini who worked in Iran, Afghanistan and India. A number of letters and words are repeated in this calligraphic panel, so as to create a playful composition that fills up the entirety of the text panel. This calligraphic game -- itself a device of dissimulation -- echoes the contents of the poem. Below the text panel and outside the text frames, a minute inscription written in black ink appears written horizontally on the beige paper decorated with gold flecks. The inscription attributes the calligraphy to the "qiblah of the calligraphers" (qiblat al-khattatin), Mir 'Imad Qazvini. The calligrapher can be identified as Mir 'Imad al-Hasani (d. 1615). He was born in 1552, spent time in Herat and Qazvin, and finally settled in Isfahan (then capital of Safavid Persia), where, as a result of his implication in court intrigues, he was murdered in 1615. He was a master of nasta'liq script, whose works were admired and copied by his contemporaries, and later collected by the Mughals (Welch et al 1987: 32-36). It is possible that this particular calligraphy was decorated by the painting of two foxes and pasted to a gold-flecked paper under the Mughals. A square seal impression in the lower right corner bearing the epithet Bahadur and the date 1186/1772-3 supports the hypothesis that this piece belonged to a Mughal patron by the second half of the 18th century at the latest. Di shana zada an mah kham-i gisura / Bar chahra nahad zulf 'anbar bura / Pushid bi-din hila ruh-i niku-ra / Ta har ka na mahram nishinashad ura Dimensions of Written Surface: 13.6 (w) x 24.3 (h) cm Other calligraphies by, or attributed to, Mir 'Imad in the Library of Congress include: 1-84-154.3, 1-84-154.43, 1-85-154.72, 1-85-154.77, 1-87-154.160, 1-90-154.162. This calligraphic panel executed in black nasta'liq script on a ground decorated with flowers painted in gold and topped by a painting depicting two foxes in a landscape describes the subterfuges of the beloved. Omitting the unrelated verses in the upper right corner, the poem reads: Yesterday that moon (the beloved) brushed the curls of her hair / Over her face, she placed her amber-smelling hair / By this stratagem, she covered her beautiful visage / So that he who is not allowed cannot see her Script: nasta'liq 1-86-154.167

Item Url:پیوند به بیرون

Attribution:Provided by the Library of Congress