تک‌برگ خوشنویسی به خط عماد الحسنی

کتابخانهٔ کنگرهٔ ملی آمریکا

Library of Congress

مشخصات اثر

تاریخ: ۱۶۰۱ میلادی - ۱۶۳۰ میلادی

مشخصات اثر در کتابخانهٔ کنگرهٔ ملی آمریکا

رباعی فارسی یا رباعی دگرگونی معنوی، خطاط (میر) عماد الحسنی که به خط نستعلیق از ایران صفوی نوشته شده است. در زیر رباعی، خوشنویس (میر) عماد الحسنی اثر خود را با نام خود و طلب مغفرت از خداوند امضا کرده است. میرعماد (متوفی۱۶۱۵) در سال ۱۵۵۲ به دنیا آمد، مدتی را در هرات و قزوین گذراند و سرانجام در اصفهان (پایتخت وقت ایران صفویه) اقامت گزید، جایی که در نتیجه دخالت او در دسیسه های درباری، در سال ۱۶۱۵ به قتل رسید. او استاد بود. خط نستعلیق که آثارش مورد تحسین و کپی برداری معاصرانش قرار گرفت و بعداً توسط مغول ها جمع آوری شد (ولش و همکاران ۱۹۸۷: ۳۲-۳۶). ابعاد سطح نوشته شده: ۹.۶ (w) x ۱۷. (ترجمه ماشینی از فراداده‌های ناشر)

Label:Quatrain on reaching divine unity

Description:A Persian quatrain, or ruba'i, on spiritual transformation, written by calligrapher (Mir) 'Imad al-Hasani written in Nasta'liq script, from Safavid Persia. Below the quatrain, the calligrapher (Mir) 'Imad al-Hasani has signed his work with his name and a request for God's forgiveness. Mir 'Imad (d. 1615) was born in 1552, spent time in Herat and Qazvin, and finally settled in Isfahan (then capital of Safavid Persia), where, as a result of his implication in court intrigues, he was murdered in 1615. He was a master of nasta'liq script, whose works were admired and copied by his contemporaries, and later collected by the Mughals (Welch et al 1987: 32-36). Dimensions of Written Surface: 9.6 (w) x 17.5 (h) cm Many works in international collections are signed by him (inter alia, Safwat 1996, cat. nos. 53 and 62; and Lowry and Beach 1988: no. 456), although whether all these pieces are by his hand remains uncertain. Other calligraphies bearing his name in the collections of the Library of Congress include: 1-84-154.3, 1-84-154.43, 1-85-154.77, 1-87-154.160, 1-90-154.162, and 1-99-106.13 R. Ta hasil-i dardam sabab darman shud / Pastim bulandi shud u kufr iman shud / Jan u dil u tan hijab-i rah bud kunun / Tan dil shud u dil jan shud u jan janan shud The mystic describes his path towards God as veiled (hijab) because of his physical self. Only once he transforms himself into pure spirit can he be united with God, the "Spirit of Spirits" (jan janan). This motif of revelation and divine unity through spiritual metamorphosis is typical of mystical ('irfani) poets such as Rumi. This calligraphic fragment includes an iambic pentameter quatrain, or ruba'i, on the subject of spiritual transformation. At the top right, an invocation to God ("huwa al-'aziz," or "He is the Glorified") precedes the quatrain's verses, which read: When the close of my pain became the reason of my cure / My lowness changed into loftiness, and disbelief became faith / Spirit and heart and body were the obstacle to the path (toward God) / But now body became heart, heart became spirit, and spirit became the "Spirit of Spirits" Script: nasta'liq 1-85-154.72

Item Url:پیوند به بیرون

Attribution:Provided by the Library of Congress